I feel like I am playing Whack–a–Mole because the arguments are so squishy. There are intellectually honest arguments for why free music is inevitable, like saying that you can’t stop people from stealing and so you have to get whatever little scraps you can. Too bad.
But that is not what you hear from the thought leaders like Mike Arrington from TechCrunch and Mike Masnick from TechDirt and others who offer advice and argue positions that are not consistent with themselves or with basic laws of business or self preservation.
This weekend, Arrington wrote again, as he has before, that music should be free.
Specifically, the article is about the royalty rate the record companies charge for playing radio music, and the statement by internet radio service Pandora that they will go under if the rate is not reduced. Specifically, Arrington Says:
For now the labels want to squeeze more revenue out of Pandora and others. But when these companies start to go under and the bird in the hand disappears, they may regret their overly aggressive negotiating stance. It’s time for the labels to die, and anything that cuts off another revenue stream is at least partially good. I’m reluctantly willing to sacrifice Pandora if it quickens the inevitable march of recorded music towards free. Let’s just hope it doesn’t come to that.
Ok, so the nub of it is Mike longs for the “inevitable” day when music is free. And the label’s current stance is overly aggressive. But if music will inevitably be free and that is what Mike is pushing for, then why would anyone who actually wants to make a living from music listen to Mike? He seems to be arguing that the labels (and indirectly musicians) are dumb for charging too much. But his entire thought process is driven by the basic notion that *any* price is too high for music.
Its hard to take business advice from a guy who thinks you oughtn’t be in business at all.
From there, we move to Mike Masnick from Blog and Internet consultancy TechDirt, who recently took Warner Music to task for their stance regarding music royalties for the hit game Guitar Hero. Honestly, this argument is even worse than Arrington’s.
Masnick regularly argues that the music business should be making money other ways than selling “shiny discs”. And yet in the Guitar Hero case, Warner wants a greater royalty for using their music in the wildly popular video game. So here, it sounds like Warner is taking Masnick’s advice, right?
But not so fast.
Again Masnick chides the Warner. He criticizes the company for their argument that they need to make a greater royalty on the use of their music in the video game. His argument is that Guitar Hero is great marketing for Warner Music to sell, err… shiny discs.
Ok, so, according to Masnick, its not smart or proper, or good or whatever to depend on selling music in the traditional way. And its also not proper to demand substantial licensing fees from a big profitable video game franchise, even when that franchise is entirely based around music. This demand is improper because said game franchise is helping sell those silly shiny discs. So each identifiable revenue stream should be forsaken because it is “marketing” for all the other supposed revenue streams.
You can see how this could get problematic.
At least between Arrington and Masnick, Arrington is more honest. He wants people to stop selling music at any price. If I were a musician or a label I wouldn’t take his advice, but though he seems in some way to be offering advice to the industry, he at least doesn’t hide his conflicting agenda.
On the other hand, Masnick, *says* he’s not against selling music, but when you look at his arguments, he really doesn’t leave much on the table. If you can’t charge a billion dollar company who can you charge? The bottom line is Masnick wants to be seen as a business advisor since TechDirt is a consultancy. But he also wants to pander to the free music crowd, perhaps because that brings page views. Unfortunately these two positions don’t always mix, and so illogical, “whackamolian” arguments, like this one often ensue.

19 comments:
We're in a real pickle it seems to me. The pre-internet entites don't want to adapt to forces of change impinging on them (big time) and consumers and thought leaders seem tempted to such utopian thinking as "music should be free" (I wish I could sell my landlord that renting should be free under the new internet paradigm). There is REAL CHANGE about and it is quite disruptive. The labels and the Pandoras of the world should find some way to work together BECAUSE IT'S IN THEIR BEST INTERESTS. The internet isn't going away and I'm a little ticked at seeing such closed mindedness threaten Pandora. It's one of my favorite services on the web.
Chuck
Bands should be hired to perform music. That's what I do when I buy tickets to a concert. It is honest to say that the music they perform should be free. Like my collection of Grateful Dead bootlegs.
Not that I agree that copyright material should inherently be in the public domain. I am just pointing out that there is a reasonable argument to be had.
Michael,
I don't understand how your statement relates to the blog post. As far as I can tell it is not responsive. Have I missed the connection?
Hank,
It's pretty obvious... the connection between Michael Critz comment and your blog post. It's not as though he made a reference to the Olympics or something totally unrelated... sheesh.
Matt,
Its so obvious and yet you didn't bother to explain it...
Unless your argument is anything relating to the music business is responsive to an article about music.
Then again perhaps it was not clear that the topic of this post has nothing to do with whether or not free music is a good idea, or right or anything else along those lines.
I guess when you have an hammer... or an ideology, everything looks like a nail.
Wow. Bootlegs as justification for piracy? Kinda like calling Kraft Singles cheese.
Hank, what Michael is trying to say, and I am sure you realized but were just trying to draw out his rationale, is that the music should be free and the artist should be compensated through concert revenues.
However Michael's point doesn't stand up. People go to concerts because they have heard the music of the band, either because they already purchased the CD/iTunes tracks, or through radio airplay. The point is that is a result of the marketing done by the band's label. Which needs to charge money for the band's product to continue operating (and yes, God forbid, earn a profit). Without the marketing done by the labels you wouldn't have knowledge of probably 80% of your favorite bands maybe more. People probably don't think about it but if you live in a major market it's not just Madonna or U2 playing concerts in your city. In actuality there are probably anywhere from 75 - 150 live performances at a variety of venues on any given night. 95% of those performers have day jobs because they don't make enough from concert gigs to get by much less make a comfortable living.
Justin,
I understand that that is what he is trying to say. But my point is that this piece is not an argument about whether or not free music is good or bad. I happen to think it is bad, but my point is that I dont want this thread to become a discussion of free music good/bad. I think the issue of the internal consistency of the arguments presented is more interesting. How can you tell someone they are charging *too much* when you really dont think they should be charging anything? You should just say, the labels are dumb for trying to charge anything. Don't attempt to make it a nuanced argument when its not. And dont try saying the labels are dumb for not seeking new revenue streams and then get pissed when they actually find one.
Hank,
I don't really want to get into too much of a discussion about the discussion about music. (I'm sleep deprived and my head is spinning a bit.)
I took down some notes and I'll either post a comment later or send a short e-mail. I need sleep.
The problem (or one proble) imo is that the concept of a compulsory license is outdated. It's a one-price-fits-all structure that stems from a different era, when real-time monitoring of radio station playlists was impossible and the transaction costs for negotiating differential rates were high. Now we live in a different era. Why don't the record companies (perhaps with RIAA or ASCAP as their agent) operate a wholesale, real-time "streaming auction"? Undoubtedly some music would be priced free, other music would fetch an average price, and some music would be expensive. The radio stations could then select music (manually or using an algorithm) that fit their budget. Supply, meet demand. Demand, meet supply. That's how commerce ought to work in the Internet age.
A lot of people these days seem to be writing about how record labels are dying or how record labels are evil or how the record labels want too much money. And it seems that the fact of the matter is that they may be right on all counts.
http://bit.ly/1lEj4l
Hank,
People want to talk about what Mike and Mike and Michael (sheesh, what's with the name Mike) are talking about... granted you do point out that indeed, the sky is blue, but the real conversation is not about the color of the sky it's about the ginormous corporate conglomerates finally being choked back after decades of bleeding the life out of art, artists, and the fans. That's where people opine, that's where it gets the most interesting...
Mike was correct to lambaste Warner for pulling their royalty padding stunt with Guitar Maniac, and other Mike was right to call the royalty system in general out on the carpet when it seems that services like Pandora are getting bagged without having as fair a shake as other forms of media... Neither Mike has really ever relented in their crusade against the big record labels, which is what they are all about when talking about this topic... not about shiny discs vs. alternate revenue streams. So yeah, the fact is, giant record labels need to no longer be in business... should music be free? No. That's like saying my t-shirt should have been free and gas should be free... But should all the money be going into the offshore accounts of stuff shirt record executives and giant corporate media groups? Hell no.
Matt,
People may want to talk about what they want to talk about, but that conversation has been had many many times on this blog, and I choose not to engage in it now. Thankfully, if people want to talk about stuff that is off topic, blogger, wordpress, typepad et al. are free.
Oh, and one more thing Matt. You are incorrect when you say that Mike and Mike do not try to sound like they are trying to provide reasonable business strategy and thinking, rather than just saying they want the record industry to die. Masnick in particular tries very hard to suggest that labels can be quite successful if they would just follow his advice. I have engaged in heated conversation with him on just this subject. The problem is that it is not at all clear what his advice actually is.
roffles. oh hank, you're hilarious! but apparently you are having a hard time reading and comprehending from 10,000 feet - maybe you should get a little closer? 5,000 feet maybe? or right up in the nitty gritty, even, since you're about 10,000 feet from anything that makes any logical sense.
heh, everytime i read anything you've put out it makes me want to start a website called 'whydoeseverythingsuck?becausehankwilliamsisanidiot.com, but they won't let me register a website with a question mark in it. damn.
and, also, feeling like getting served today, hanky? if not, i'd avoid reading http://techdirt.com/articles/20080819/0240112024.shtml , techdirt's response to your moronic way of looking at things.
well, i feel bad for calling names now, so i'll take them back. however, you do seem to struggle with getting '3' out of '1+1+1.' again, i think it's the altitude.
With regards to Mr. Critz comments, here's his stance when his works are used by others:
http://www.workingonthejob.com/contentPage.php?selection=231
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